Censorship is the veil of the obvious, hiding is just opening space to the imaginary that we have built. An increasingly global imaginary devoid of singularities. The singularity is for those who know how to see it. This time the format of the singularity is half frame.
Pascal Hernandez shoots from Valparaiso, Chile on an Agfa Parat 1 with Fuji 200. His work explores the diptych as a vehicle for tension — the same model in two places, color relationships, simple gestures that give the sensation of movement.
Serie Censurados turns that lens on censorship itself. The format of half frame becomes the formal argument — two frames, one truth hidden between them.
Follow Pascal at @pascal96 on Instagram.