The best color films for half frame cameras — Kodak Ektar 100, Portra 400, and Fuji Superia ranked and reviewed.

Ektar 100 is the sharpest, most saturated color negative film Kodak makes. In half frame the smaller negative gets magnified more than any other format — and Ektar handles that magnification better than anything else available.
The ultra-fine grain structure means you can push the tiny 18x24mm negative hard without losing detail. Colors are bold and punchy — reds are red, blues are blue. If you want a film that makes half frame images look as sharp and vivid as possible, this is it.
My only caveat: Ektar can be unforgiving in harsh midday light. It shines brightest in the golden hour or overcast conditions where its contrast works with the light rather than against it.











Shot on Olympus Pen EE2 · San Diego, CA
Buy Ektar 100 →
Portra 400 is a lot of people's favorite film in any format, and with good reason. It is forgiving as heck, has nice fine grain for ISO 400, and has a beautiful muted color palette that happens to be very much in right now.
The consistency of results is the best thing and simultaneously the worst thing about this film. You always get good to great results, but you never get any fun surprises or wild contrast.
If you are planning to shoot portraits or people, this is the clear choice.











Shot on Canon Auto Tele 6 · San Diego, CA
Buy Portra 400 →
Fuji Superia 400 is my budget pick and honestly punches way above its price point. The colors lean slightly cool and green compared to Kodak films which gives it a distinctive look that works particularly well for street and travel photography.
The grain is well controlled for a 400 ISO film and it handles a wide range of lighting conditions gracefully. It is widely available, inexpensive, and consistent.
If you are new to half frame and want to run a lot of rolls without breaking the bank, start here.











Shot on Olympus Pen EE2 · Various locations
Buy Fuji Superia 400 →